DEPARTMENT OF CULTURAL CHEMISTRYEST. FOR THE NEXT FIVE MINUTES

EXPERIMENT 001 / STATUS: GLORIOUSLY INCONCLUSIVE

COOL
IS NOT
A SCORE.

An experimental playground for people who have never needed a committee to approve their personality.

01 / THE HYPOTHESIS THAT ISN'T

WHAT IF
THE POINT
ISN'T TO WIN?

Coolness is a social judgment. Style is a set of choices. Neither is a permanent measurement of human worth.

This lab plays with visual and expressive preferences—the kind you might bring to a poster, an outfit, a sentence, a playlist, or a room. It does not diagnose you, predict social success, or tell you where you stand.

INTERPRETATION We think variety is more interesting than a ranking. That is an editorial position, not a research result.

02 / THE IMPOSSIBLY PRECISE INSTRUMENT

DESIGN YOUR
OWN FREQUENCY.

LAB FORM NO. 0001
VALID FOR ZERO SCIENTIFIC PURPOSES

MOVE THE DIALS. REWRITE THE VIBE.
Every combination is a valid creative choice.

56
WHISPERMEGAPHONE
40
HOLD THE NOTEBREAK THE BEAT
71
POLISHEDUNRULY
63
OBSERVEEXPRESS

NO ACCOUNTS. NO TRACKING. NO SAVED PERSONAL PROFILES. This runs in your browser.

LIVE OUTPUT / CREATIVE COORDINATES● NOT A RATING
Your subjective style mapA decorative map of expressive intensity and experimentation, calculated from four adjustable creative preference dials. It is not a measure of personal coolness.EXPRESSIVELOUDER ↑QUIET ←→ EXPERIMENTALSPECIMEN: UNREPEATABLE

YOUR CURRENT FREQUENCY

SOFT-LOUD
ANOMALY

You like a little static in the signal. The room doesn't need to agree.

X: 64 / Y: 52MAP ≠ MEASUREMENT

03 / OBSERVATIONS FROM A NON-EXISTENT LAB

THREE PEOPLE.
ZERO WINNERS.

These scenes are fictional. They demonstrate that the same aesthetic can mean different things depending on audience and context.

CASE STUDY / FICTION 001

THE SILENT
FIREWORK

Speaks rarely. When they do, the sentence changes the conversation. Looks understated, thinks extravagantly.

Quiet expression does not equal weak presence.

CASE STUDY / FICTION 002

THE BRIGHT
INTERRUPTION

Turns a plain jacket into a public announcement. Makes strangers laugh; sometimes needs a quieter room.

Visibility is a tool, not a moral achievement.

CASE STUDY / FICTION 003

THE IN-BETWEEN
INVENTOR

Mixes old forms and new materials. Refuses to settle on a permanent genre. Changes style without apologising.

Consistency is optional. Curiosity is allowed.

“
THE MOST INTERESTING THING ABOUT A PERSON MAY NOT FIT ON YOUR GRAPH.
— THE LAB DIRECTOR, WHO IS NOT A SCIENTIST IN THIS CAPACITY

04 / FIELD NOTES, WITH ACTUAL FOOTNOTES

THE SCIENCE
& THE NONSCIENCE.

We can take culture seriously without pretending an interactive art piece is a psychological instrument.

EVIDENCE

Cool is a social perception.

Pezzuti, Warren and Chen (2025) studied perceptions of “cool” and “good” people across 12 countries. Those labels overlapped, but were not identical. This is about perceived characteristics, not an objective ranking of individuals.

READ THE JOURNAL STUDY ↗
THEORY

We perform in contexts.

Goffman's work on self-presentation considers how social situations shape the impressions we try to create. The theory is useful for thinking about a scene; it does not license an app to decode a person.

EXPLORE THE BOOK ↗
INVENTION

These four dials are made up.

Signal, tempo, texture and presence are creative prompts invented for this installation. The X/Y formula is arbitrary. The phrases it generates are metaphorical—and sometimes a little ridiculous.

No validation, norm sample, predictive claim, or individual assessment.

REFLECTION

What changes with the room?

Consider a choice you enjoy in one setting but not another. Which part of your style feels chosen by you? Which part is adapted to your surroundings? Neither answer has to become a permanent identity.

Try this exercise in the downloadable Field Guide.